Friday, September 11, 2009

Wednesday, July 29, 2009

Friday, July 24, 2009

Wednesday, July 8, 2009

mazhachattam..


photo :Josekutty Panackal

sourse :manoramaonline.com

Tuesday, July 7, 2009

my steps to agasthya..

photo: Sirajshah
photo: Sirajshah

photo: Sirajshah


photo: Sirajshah




photo: Sirajshah



memoirs of an OnaM..







memoirs of an OnaM..









Thursday, July 2, 2009



yes..am alone..


arumarum snehikkan illathe..


veruthe oral..


kattiladunna chedi pole..


parannakalunna appoppanthadi pole..


vishadathinte niramulla oral..


pranayathinte ruchibhedanjal ariyathe arinju..


snehichu mathram ozhuki ..


anjine..anjine..oral..

Wednesday, July 1, 2009

express report on website study..


there was a report on political website study, conducted by e-journalism students of press institute of journalism in indian express daily..and it was edited by me..here is a link attached for read that report..


http://www.expressbuzz.com/edition/story.aspx?Title=%60Party+websites+lacking+quality%92&artid=KcdR1creB8=&SectionID=lMx/b5mt1kU=&MainSectionID=lMx/b5mt1kU=&SectionName=tm2kh5uDhixGlQvAG42A/07OVZOOEmts&SEO=

Tuesday, June 30, 2009

പ്രതിഭകള്‍ അകലുമ്പോള്‍..


അങ്ങിനെ ലോഹിതദാസ് എന്ന മനുഷ്യനും പ്രതിഭയും ഓര്‍മയായി ..

വേദനിപ്പിക്കുന്ന ഒരു നഷ്ടം കൂടി..നന്മയെ സ്നേഹിക്കുന്ന മലയാളിക്ക് ..

അക്ഷരവും അനുഭവവും നിഴലും വെളിച്ചവുമായി തെളിഞ്ഞ

തിരശീലകളില്‍ അയാളുടെ മനുഷ്യ സ്നേഹം ഉണ്ടായിരുന്നു..

പ്രണയവും കാമവും ..പിന്നെ നാടുംനന്മയും ഉണ്ടായിരുന്നു..

ഒരു പിടി പൂക്കള്‍..ആ ഓര്‍മകള്‍ക്ക് ..നന്മക്കു ..

ഓര്‍ക്കുകയായിരുന്നു ഞാന്‍..വെറുതെ..


അതെ..ഞാന്‍ ഓര്‍മകളില്‍ ആയിരുന്നു ..ജീവിതം..മരണം..പേരും നാടും അറിയാത്ത

കുറെ മനുഷ്യരുടെ കാഴ്ചകള്‍ ..അങിനെ അങ്ങിനെ..ജീവിക്കുകയായിരുന്നു..

കമ്പ്യൂട്ടറും മൊബൈലും ഒന്നുമില്ലാത്ത ഒരു കാടിന്റെ ഉള്ളില്‍..മാനും മയിലും

പിന്നെ കടുവയും ആനയും കൂട്ട് കൂടുന്ന ഒരിടത്ത് ..അതായിരുന്നു ജീവിതമെന്ന്

വെറുതെ തോന്നി പോകുന്നു ..ഇങ്ങു നാട്ടില്‍..മൃഗ ഭോജികളുടെ ഇടയില്‍ നില്‍കുമ്പോള്‍ ..

അത് കൊണ്ടു തന്നെ..ഇപ്പോള്‍ ജീവിതം എന്നത് ഓര്‍മകളില്‍ ആണ് ..കുറച്ചു കാലം..

Monday, June 1, 2009

memoirs of an amma..

she is no more..that's a fact..
she became history..
and memories of a romantic life..
and poetry..and lust..
of evergreen virginity..
she is died..kamala..?
aami..?madavikkutti..?
or.. kamala surayya..?
i don't know ..who she is..
but..she was a feather ..
of red..red..love..
and love..

Monday, March 23, 2009

REFLECTIONS..


i don't know..
what is that,reflections..
but,they are talking,
perpectually..about thoughts.
about socratese,aristotle and-
plato..
the guru agreed that..
but, alexander?
sooth sayer of historical-
invations..and wild love..
then ,, there was no 'Qs..'
only 'A s'..and nothing..

Thursday, March 5, 2009

cute..and cute..


copyright:www.jackiechan.com
visit this website for more pictures and text..

Sunday, March 1, 2009

memoirs..


memoirs and memoirs..
because of recalling..
and becoming painful..
because of memoirs..
yes, life is a blend.,
of memoirs..
life and memoirs..
love and memoirs..
making ideas..and
idiologies..
because of memoirs..
of having a perpectual..
life...

perspetives of modern literature..

 an emphasis on impressionism and subjectivity in writing (and in visual arts as well); an emphasis on how seeing (or reading or perception itself) takes place, rather than on what is perceived. An example of this would be stream-of-consciousness writing.

a movement away from the apparent objectivity provided by omniscient third-person narrators, fixed narrative points of view, and clear-cut moral positions. Faulkner's multiply-narrated stories are an example of this aspect of modernism.

 a blurring of distinctions between genres, so that poetry seems more documentary (as in T.S. Eliot or ee cummings) and prose seems more poetic (as in Woolf or Joyce).

 an emphasis on fragmented forms, discontinuous narratives, and random-seeming collages of different materials.

 a tendency toward reflexivity, or self-consciousness, about the production of the work of art, so that each piece calls attention to its own status as a production, as something constructed and consumed in particular ways.

 a rejection of elaborate formal aesthetics in favor of minimalist designs (as in the poetry of William Carlos Williams) and a rejection, in large part, of formal aesthetic theories, in favor of spontaneity and discovery in creation.

A rejection of the distinction between "high" and "low" or popular culture, both in choice of materials used to produce art and in methods of displaying, distributing, and consuming art.

liberty and love..

concepts of unknown authors..

(1) i love you..

      not for what you are..

      but for what i am..

      when i am with you..


(2) liberty and love ..

      these two i must have..

      for my love ,i'll sacrifise my life..

      for my liberty,i'll sacrifise my love..

yes..it's a golden notebook


an article on Doris Lessing's 'The Golden Notebook'

Described mostly as a ‘women’s book’, The Golden Notebook (1962) does indeed talk about the confusing and emotionally intense world of a middle-aged writer Anna. Though written long time back, the novel is still a success among avid readers due to its contemporary theme of passion for liberation from male superiority and patronizing, from superstitious ceremonies, etc. It is a full, complex story of a modern woman who tries to live with the freedom of a man.

The central character of the novel is a successful middle aged women writer, living alone with her young daughter. She occasionally rents out a room of her flat not for money but in order to find someone there in the otherwise empty and lonely house. Anna has already written a book about the experiences of a group of communists in colonial Africa that has been a bestseller, but she was not satisfied with her work. She has been abandoned by a lover and suffers from a writer’s block right now.

She keeps four notebooks, out of fear of a breakdown that might take place as a result of the fragmented state of her mind. Step by step, she goes over her experiences, her responses to life, eventually coming to terms with her growing disillusionment, her self-induced sexual betrayal, and her feelings of social and emotional rejection. Each notebook deals with a different experience of her life. The black notebook reviews her African experiences of early years. The red one records her political life, specifically her disillusionment with Communism. The yellow notebook deals with the fictionalized version of her own personal experiences, and the blue notebook is Anna’s personal diary.

Out of her fear that she might go insane due to the fragmented state of her mind, Anna tries to bring the threads of her life in all four books together in a final golden notebook. She kind of first views her life from all different angles as portrayed in the four notebooks, goes over her experiences, looking at her reactions to all of them and eventually manages to unify her identity in the golden notebook. She realizes her disillusionment with communism and the trauma caused by emotional and sexual betrayal and rejection by her lover, tries to understand professional anxieties as well as tensions of family and friends. In a way the novel can be taken as Anna journey to search for her true self. The novel is an excellent amalgam of sex, politics, and emotional breakdown.